Philip Reeve is the award-winning UK-based author of many beloved books for children and young adults, including the Mortal Engines and Goblins series, Here Lies Arthur, and most recently, Railhead. He has collaborated with artist Sarah McIntyre on a series of illustrated books, and has illustrated numerous books himself, in addition to his work in film, theater, and even a musical. In 2001 he published his first novel, Mortal Engines, which went on to win the Smarties Gold Award, the Blue Peter Book of the Year Award, and the Blue Peter “Book I Couldn’t Put Down” Award. Mortal Engines was my first introduction to Reeve’s writing, and it captivated me immediately with its fascinating world and richly nuanced characters. I was thrilled to have a chance to speak with him online recently about his thoughts on writing and the creative process.
Before writing novels, you worked as an illustrator and in small stage productions and films. You’ve mentioned films such as Star Wars and John Boorman’s Excalibur as inspirations. To what extent would you say that your experience in fiction outside the world of books influences your writing?
I think a lot of my influences come from films, TV, art, etc. When I was growing up I loved books, but I think I loved films and TV equally – it’s the story and the imagery that matters, not the form. When I started writing Mortal Engines it really was because I didn’t have the means to put it on film. There’s always a very strong visual element to my stuff: most of my books are basically me describing a movie which I’m screening in my head.