Jeffrey Innes

Interviewed by Kaylan Mackinnon

Jeffrey Innes is the lead singer and writer in Yukon Blonde, a Vancouver indie rock band. Since starting the group in 2008 he has gained an international following and acclaim for hits like “Saturday Night.” The band, originally from Kelowna, BC, are currently working on their fourth album. I was inspired to interview Jeffrey Innes because his songs tell such beautiful stories, and it is incredible knowing that Yukon Blonde belongs to our very own Canada. I talked to Jeff about his writing process, how it all got started for him, and

advice on how you can jumpstart your own writing career. 

Yukon Blonde is an internationally acclaimed band! You must be happy with the success you’ve had. Would you say there was a song the band and you wrote that put Yukon Blonde on the map?

I would say our song “Stairway” did pretty well for us, but both “Saturday Night” and “I Wanna Be Your Man” would be the two songs that helped get us out there much more that any others.

For readers who haven’t heard your music yet, please describe your sound and style in a few words.

This is always the hardest question for any songwriter. Either you compare yourself inaccurately to your influences and inspirations or, in my case, you feel you’re constantly changing and don’t want to pin yourself down. I mean, ok, I recognize that we’re an alternative indie pop/rock band with electronic or psychedelic tendencies and sometimes we’re pastiche. What does that even mean? I think it means we just sound however we want to whenever we want to. In the past, we’ve had guitars, drums, harmonies, cool bass lines and synths.

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Hanif Willis-Abdurraqib

bio-photoInterviewed by Matthew Kok.

It was a big night for Emerson Poetry Project—Hanif Willis-Abdurraqib was performing. As a first-year student at Emerson college, I wasn’t sure what to expect from this big important writer, or what to expect from the night of poetry ahead, or what to expect from a poem.

He walked up to the mic, and for the rest of the night we were traveling. That’s how I ended up being pulled into Hanif’s work. He took the music in our lives, the images of them—a dorm bunk, the sky from an airplane seat—and proved their relationship, its intimacy. He brought us his own stories, and they became ours.

At the end of the night, Hanif walked to the middle of the crowd. As we huddled around him, intimate, shoulder-to-shoulder, his life opened itself up to us. Through his writing and slam poetry, Hanif’s life and influence has continued to open itself up to me. As Bobby Crawford, then-MC of the Emerson Poetry Project said about Hanif four years ago, “No one is doing it like him right now.”

Hanif Willis-Abdurraqib’s life began in Columbus, Ohio. You can read his poetry collection, The Crown Ain’t Worth Much, from Button Poetry / Exploding Pinecone Press. His poetry has been published in Muzzle, Vinyl, PEN American, other journals. His essays and music criticism has been published in The FADER, Pitchfork, and the New York Times. He has been nominated for the Pushcart prize, and his poem “Hestia” won the 2014 Capital University poetry prize. He is a Callaloo Creative Writing Fellow, an interviewer at Union Station Magazine, and a poetry editor at Muzzle Magazine. He is a member of the poetry collective Echo Hotel with poet/essayist Eve Ewing. Additionally, he is a columnist at MTV News, where he writes about music, and fights to get Room Raiders back on the air. He talked to me about exploring genre, branching out of slam, bridge-building, and survival strategies in dark times.

I think I remember you saying you got started writing a little bit later in life?

I started writing poems around 2012. I had been writing music criticism freelance for a while, since like 2009, and I kind of got a little tired of it and wanted to branch out into other things. Poetry was the natural leap for me because I was so interested in analyzing lyrics, picking through language on a larger, more artistic scale. So, poetry kind of afforded a really good opportunity to just expand on that.

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